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Apocalypse in the Tropics

Petra Costa | Documentary | 110’ | color | 35mm/DCP | Brazil | 2024
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The Edge of Democracy

Petra Costa | Documentary | 121' | color | Brazil | 2019
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Ecstasy

Moara Passoni | Fiction | 75’ | color | 35mm/DCP | Brazil | 2020
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Olmo and the Seagull

Petra Costa & Lea Glob | Documentary | 87’ | color | 35mm/DCP | Denmark, Brazil, Portugal, France, Sweden | 2024
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Elena

Petra Costa | Documentary | 82’ | color | 35mm/DCP | Brazil | 2012
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Undertow Eyes

Petra Costa | Short-film | 20’ | color | 35mm/DCP | Brazil | 2009

At Busca Vida, memory and history are intertwined territories. Memory pulses through the past; life asserts itself in the present. Cinema unfolds in the space between.

Close-up de dois olhos humanos
Recém-nascido e uma mulher, possivelmente a mãe, dormindo juntos, deitados de lado, com os olhos fechados, em uma cama com colcha amarelada com bolinhas brancas.

Our films emerge precisely from this encounter — when individual trauma finds a voice and breaks imposed silences; when love becomes a political act in the face of polarization and hate; when the feminine gaze unsettles crystallized perspectives shaped by patriarchal and colonial worldviews.

It is in this threshold — this space-between — that we choose to act: where remembering is an act of resistance, and storytelling becomes a way of reimagining the world.

Petra Costa

Petra is the creative force that shaped the ethical and aesthetic identity of Busca Vida. Her films — deeply personal and historically grounded — gave the company a singular voice in contemporary cinema. From its inception, the work of Busca Vida has been marked by three foundational forces: trauma as a rupture that reconfigures memory; love as an ethical stance that resists the logic of hate; and the feminine as a way of seeing and narrating the world with depth and complexity.

Productions

Co-productions